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​Identity Milestones in Milwaukee

Senior Portraits, Branding Photography, & Life Transitions

Things I Learned From This Dynamic Athlete Test Session

6/20/2026

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Don’t overthink it.
Don’t overthink it.
Don’t overthink it.

That was basically the theme of this entire test shoot with Braden. I know how to light seniors in harsh midday sun. I know how to light seniors during golden hour. I know how to work with weird light during a regular senior session and still make it happen. So when I asked Braden and his mom, Holly, if they’d be willing to help me test some more dynamic athlete lighting, I didn’t think the time of day would matter that much.

Ha. It mattered.

We photographed at Arrowhead’s baseball field around midday, and when we started, there were absolutely no clouds. None. Just bright blue sky, full sun, and me immediately realizing this was going to be a very honest test session. And honestly, we did get some really cool blue sky images, but I also learned very quickly that this type of dynamic athlete lighting is different from the way I normally light senior portraits.

For the look I was going for, I needed my lights to really overpower the ambient light. I wanted the background darker, Braden shaped by flash, and that more dramatic sports-poster kind of feel. That is much harder in full midday sun
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One of the coolest parts of this test was seeing the difference between the frames where the lights fired and the frames where they didn’t. There were a few images where the flash didn’t go off, I didn't give it enough time to recycle, and honestly, I’m glad I have them because they show the difference so clearly.

The natural light version wasn’t bad. It just looked like a normal sunny-day sports photo. But when the lights fired, the whole image changed. Braden separated from the background more, the gear had more shape, the sky looked richer, and the image felt more intentional. That was a big takeaway for me. It wasn’t just about making the photo brighter. It was about controlling the light so the image felt stronger.

The other challenge was the direction of the sun. The easiest way to keep Braden from squinting and fighting for his life was to position him with the field behind him. Which worked for the light, but from a storytelling standpoint, it wasn’t always my first choice. For a catcher, it makes more sense for him to be looking out over the field with the fence behind him. Same thing with some of the batting images. The light direction changed what made sense, and that was something I wouldn’t have really known until I was out there testing it.

Had we shot earlier in the morning, the sun probably would have been in a better spot for some of what I wanted. Had we shot closer to golden hour, the ambient light would have been easier to overpower. But that’s the whole point of a test session. I didn’t need perfect conditions. I needed to learn
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I also used modifiers I haven’t really used much before, which I was weirdly proud of myself for. I used a strip box for rim light and a 24 inch deep parabolic softbox as my main light. The deeper softbox gave me a more direct light than I’m used to. Less spill, more control, and a totally different feel than how I usually light senior portraits.

Originally, I wanted to test two strip boxes and play with more of a two-rim-light setup, but once we got going, I completely forgot. Very on brand. I used an AD200 in the strip box and an AD400 with the 24 inch modifier as my main light. I was honestly surprised by how well the batteries held up, especially since we were out there for about two hours. I expected them to be struggling a little more than they were.

I also used my 17-35mm lens just to see what would happen. I liked it for some things, especially the low dramatic angles. I did not love it for every pose. Some poses can handle the wide angle drama. Some poses absolutely cannot.

Another thing I realized is that timing is everything with this kind of session. During a normal senior session, I’m thinking about personality, movement, outfits, background, posing, expression, all of it. This was different. It felt more like, “Where is the light hitting? Where is the ball? Is his body position right? Is the glove in the right spot? Does this look athletic or just weird?” There were a lot of moving parts.
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I also took way fewer images than I normally do. During a regular senior session, I can easily take 750 to 900+ images. For this test shoot, I took around 340. Granted, we weren’t doing a full senior experience with multiple outfits and locations, but still. It felt good to be that intentional. I wasn’t worried about whether every single image was sellable. I was focused on the lighting, the movement, and figuring out what worked. That was honestly kind of refreshing.

I also took some behind the scenes video, partly for social media and partly so I could remember what the setup actually looked like. I’ve been trying to be better about that, but I’ll be honest, it’s hard. Once I’m in a session, I’m in it. Stopping to take a video is not always my strong suit.

But I do think behind the scenes video is something I want to incorporate more into my senior sessions moving forward. Not just because it helps with social media, but because it gives clients another way to remember the session. The final images are obviously the main thing, but the experience matters too.

One of the reasons I felt comfortable doing this test with Braden is because I’ve worked with his family for years. I photographed his two older brothers for their senior photos, and their mom, Holly, has already joked that I’m booked for their weddings someday, (even though none of the guys have proposed yet). Talk about high praise, haha. So if I was going to trial-and-error my way through new lighting setups, fight with a soft box that apparently had a personal vendetta against opening and closing, and mentally troubleshoot in the middle of a baseball field, this was the right family to do it with.

I’m super thankful for them.

I don’t love looking like I don’t know what I’m doing in front of clients. Most photographers probably don’t. But that’s exactly why test sessions matter. They give me space to experiment, mess with gear, learn what works, and make adjustments without the pressure of a normal paid senior session timeline. Part of why I also offer the Model Collective, its a great way for seniors to have more of their year documented, and it also is fun for me to test new things, conditions, etc. Back to baseball.

And honestly? I really enjoyed it.

I had so much fun playing with a different lens, a different kind of light, and more dynamic poses. I also did not expect to enjoy being close enough to the bat during a swing to hear and feel the whoosh of air, but apparently I did. Slightly terrifying? Yes. Very fun? Also yes.

Baseball and softball are sports I genuinely understand and love. I played, so the movement makes sense in my brain. Same with basketball. Hockey I love watching, but I cannot pretend I know how to direct the movement the same way. With baseball and softball, I know enough to make the posing feel intentional instead of random. And that matters.
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This session reminded me how much I like creating images that feel powerful, specific, and athlete-driven. So, what did I learn? I want to test more. Different times of day. Different light setups. More rim light. Maybe gels in lower light. More action. More sport-specific posing. Maybe inside a gym. Maybe a studio setup. Definitely more controlled experiments. Experimenting with different sports which means different poses.
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Not every image from this session was perfect, and that was never the goal. The goal was to learn what worked, what didn’t, what I’d change, and what I want to try next.
And that’s exactly what happened.
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What to Wear for Senior Pictures in Milwaukee & Southeast Wisconsin

6/14/2026

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One of the most common questions I get before a senior session is:
“What should I wear?”

And honestly? Fair.

Because senior photo outfits can feel weirdly high-pressure.

You want to look like yourself, but also slightly more put together than your “I  wore this hoodie three days in a row” self - trust me, that's me in a nutshell. You want variety, but not chaos. You want something that photographs well, but you also don’t want to feel like you’re wearing a costume from the “senior pictures” aisle of Pinterest.

Very normal.
Very fixable.
Let’s make it less stressful.

​First: You Do Not Need a Whole New Wardrobe

Please do not panic-buy a personality or the most viral outfit from TikTok. Your senior photos should look like you. A slightly elevated, intentional version of you, sure. But still you.

If you live in jeans, we can use jeans.  If you love dresses, bring the dress. If you’re more casual, sporty, artsy, classic, edgy, soft, colorful, neutral, or somewhere between “I have a vision” and “my mom told me to be here,” we can work with that.

​The goal is not to dress like someone else. The goal is to create outfits that feel natural, photograph well, and give your final gallery enough variety.

The Best Senior Photo Outfits Usually Have Three Jobs

When we’re planning outfits, I like to think about three things:
  1. Does it feel like you, the senior?
  2. Does it photograph well? * Because not all looks are flattering in a photo *
  3. Does it give you variety?

Because you do not need five outfits that all say the exact same thing. If every outfit is jeans and a neutral top, that can be pretty, but its going to feel repetitive, especially when you're picking favorites for an album, for prints to hand out for family, or even for the grad party invite. If every outfit is wildly different, that can be fun, but it may feel disconnected.

We want a mix.

Usually, that means planning a few different silhouettes. If you aren't a dress girlie, you can wear pants/shorts and a top and have different silhouettes - flowy, form-fitting, flare, etc. We're not reinventing the wheel, we're just giving you options.

​Outfit One: The Comfortable Favorite

This is the outfit that feels easy.

The one you can move in. The one that feels natural. The one that helps you settle into the session.

This could be jeans and a cute top, a casual dress, a sweater, a button-up, a favorite jacket, or something simple that feels like their everyday style but cleaned up a bit/intentional. 

This outfit is great for the beginning of the session when everyone is still warming up.
Because yes, even confident people need a minute to get into the right mindset.

​Outfit Two: The Elevated Look

This is the outfit that feels a little more polished. Not prom-level. Not “business casual hostage situation.” Just elevated. 

For girls, this could be a dress, jumpsuit, skirt, tailored pants, or something with movement and shape.

For guys, this could be a button-up, jacket, nicer jeans or pants, layered pieces, or a look that feels sharp without being stiff.
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This outfit is usually great for portraits that parents tend to love, especially if we’re thinking about albums, wall art, gifts, or yearbook options.

​Outfit Three: The Personality Outfit

This is where we get to bring in more of who you are. 
Sports uniform.
Dance outfit.
Theatre look.
Favorite band tee.
College sweatshirt.
Art smock/paint covered clothes, comfy drawing 'fit.
Vintage jacket.
Letterman jacket.
Fashion forward / trendy.

Something related to what you're interested in. For some, that's clothes, for others that's DND, not every outfit has to be 'walking the stage' worthy.

This does not have to be overly themed. It just needs to feel connected to who you are. For me, it was converse, jeans, and a sweater. 

Senior photos are not only about what you look like right now. They’re about who you are in this season.
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That matters.

​What Photographs Well?

A few general rules that help:
Solid colors usually photograph really well. Neons, however, do not. The colors tend to create weird bands and warping in camera, save those for the theme parties.

Texture adds interest. Different textures paired together also are interesting. The materials are going to interact with the lights and environment unique to them. That's why mixing a chrome, high-gloss, or shiny piece with something more matte (denim, lace, cotton) tends to work so well. 

Layers are your friend. Not only does it allow for easy outfit transitions, it keeps that one outfit interesting and gives you more room for posing. Wearing a jacket, then holding it on your shoulder, having it drape over your shoulders, pulled down off your shoulders, with these slight changes, you just had 4 variations in one outfit. For me, that's easily 20 photos, if not more.

Movement is great, especially for dresses, skirts, jackets, and flowy pieces. These are great for seniors that want a documentary-style/candid feeling to their photos. Pieces that move help tell more parts of the story - oh, there's wind, oh they're walking, they're showing confidence, we're seeing more angles of the look. Suddenly you're able to spin, dip, throw a skirt or dress and have that elegant or dramatic flare. That's something you can't get with jean shorts and a tank top.

Clothes should fit well enough that you're not constantly adjusting them. DO NOT DO THIS TO YOURSELF! Nothing is more frustrating to my senior clients than constantly having to make the elastic puffy sleeve sit in place when we're doing dynamic poses that require arm bending or moving. I've had some seniors wear strapless tops, that's totally fine, just know you're going to be pulling it up the entire time. Same goes for clothes that are too big or too tight. In both instances, they're falling down, and they're not flattering. Overly baggy looks like you're drowning in fabric, and overly tight is going to make fabric pucker or jut out in unnatural ways.

And please, for the love of all things good in this world, make sure you can sit, walk, and most importantly: breathe.

If an outfit only works while standing completely still and thinking skinny thoughts, it is not our winner.

Which Brings Us To: What Should You Avoid?

Avoid anything you, the senior, hates. That sounds obvious, but it needs to be said. If you feel uncomfortable, it will show.

Again, be careful with tiny busy patterns, neon colors, large logos, overly trendy pieces that you already feel unsure about, and again, anything that requires constant fixing.

Also, if the outfit only looks good from one angle in one mirror under one very specific lightbulb? Maybe not.

​Think About the Location, Too

Outfits and locations should work together.

If we’re shooting in downtown Milwaukee, the Third Ward, Bay View, or an urban setting, structured pieces, denim, jackets, boots, and editorial-inspired outfits can look amazing.

If we’re in a nature setting around Oak Creek, Franklin, Greendale, South Milwaukee, or one of the parks in Southeast Wisconsin, softer textures, earth tones, flowy pieces, and layers can fit beautifully.

If we’re doing a mix, even better.
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That gives the gallery variety without making the whole session feel random.

​You Do Not Have to Figure This Out Alone

This is the part I need parents and seniors to hear:
You are not expected to show up with perfectly styled outfits and a complete creative direction already done.

That is part of the planning process.  I help walk through outfit options, talk through what makes sense for the locations, and think about the final result before we ever start photographing.  Because senior photos are not just about grabbing cute outfits.
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They’re about creating images that feel like your senior and still make sense years from now.

Final Thought

The best senior photo outfits are not the ones that scream “I found this on Pinterest.”
They are the ones that make your senior feel comfortable, confident, and dare I say, the outfits that when you look in the mirror you think, "damn, I look GOOD." That's what we want.

A little elevated? Yes.

A little intentional? Absolutely.

But still You.

And if you’re staring at the closet thinking, “We have no idea what we’re doing,” that is exactly why this process exists.
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You do not have to figure it all out before reaching out.
We’ll walk through it together.
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When Should You Start Planning Senior Photos?

6/11/2026

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Senior photos are one of those things that feel like they’re very much a “future you” problem.
Until suddenly they’re not.

One minute your kid is finishing junior year and senior photos feel like something you can figure out later. Then school starts, fall dates are full, sports schedules are chaotic, yearbook deadlines are weirdly soon, and everyone’s standing in a bedroom saying, “Wait, what are you wearing?”

So. Let’s make this easier.

If you’re wondering when you should start planning senior photos, the answer is:
Earlier than September.

Not because you need to panic.
Not because you need every single detail figured out.
But because starting earlier gives you more options, less stress, and a much better chance of creating a session that actually feels like your senior.

Why waiting until September can make senior photos harder:

A lot of families wait until senior year officially starts before they think about senior pictures.
I get it. Senior year feels more real once school starts.

The problem is that once school starts, everything starts.

Sports. Work. Band. Theater. Homecoming. Homework. College applications. Family schedules. Weather being annoying. Yearbook deadlines. All of it. So the thing that felt like, “Oh, we’ll deal with that later,” turns into one more thing you’re trying to cram into an already packed calendar.

Waiting doesn’t usually make senior photos easier.

It usually just gives you fewer choices. Fewer dates. Less flexibility. Less time for outfits. Less room for weather issues. More pressure around yearbook deadlines. And honestly, senior photos don’t need to be a last-minute scramble.

Yearbook deadlines are usually earlier than people think!

This is one of the big reasons I tell families not to wait too long. The yearbook photo isn’t always due at the end of the year. A lot of schools have deadlines that sneak up fast, and every school seems to have its own rules. Some want a certain crop. Some have specific file requirements. Some have earlier deadlines than families expect.

And before you can submit anything, you still need to:
  • Schedule the session.
  • Plan outfits.
  • Choose a location.
  • Actually take the photos.
  • Have the images edited.
  • Choose the yearbook photo.
  • Submit it correctly.

That’s not really something you want to start figuring out the night before the deadline.
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Could we probably figure something out if you’re late? Maybe.

Do I recommend making that the plan? Absolutely not.

Peak senior photo dates fill fast

Summer and fall are popular for senior photos for a reason. The weather’s usually better, the light is pretty, and schedules are usually a little easier before school gets fully chaotic. And listen, I know a lot of girls around here want to wait until they’re at the level of tan they want before their session.

Totally fine. I get it. (I was that person...)

But that doesn’t mean you wait until July or August, once you’ve hit the perfect tan level, to finally reach out. That means you reach out early, we get you on the calendar for peak summer, and by the time your session rolls around, you’re ready to go.

Because those summer dates do not stay open forever.

If your senior plays a sport, works, does theater, has band, has a packed social life, or generally has a calendar that looks like a color-coded crime scene, you’ll want more than two random dates to choose from. Planning earlier gives you breathing room. And breathing room is the whole point.

​You don’t need to know where you want photos taken yet...

This is one of the biggest things parents and seniors overthink. You don’t need to come to me with the perfect location already picked out. Actually, please don’t stress yourself out doing that.

Location planning is part of what I help with.

Instead of starting with a giant list of pretty places, we start with the senior. Do they want something more natural? More urban? More editorial? More relaxed? Do they want water, fields, flowers, architecture, sports, their dog, their car, prom attire, or something totally different?
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The best location isn’t always the most popular location.
The best location is the one that actually fits your senior.
That’s something we figure out together.

Outfit planning also takes longer than people expect.

Outfits are another reason not to wait until the last second. And no, this does not mean you need to buy an entirely new wardrobe. It just means we want a plan. 

The goal is variety. Not chaos.
A strong outfit plan usually thinks through things like:
  • Casual vs dressy.
  • What colors photograph well.
  • What works with the location.
  • What actually feels like your senior.
  • Whether we want to include sports, hobbies, prom attire, or something personal.
  • How many outfit changes actually make sense.

Waiting until the night before usually leads to panic-shopping, overpacking, or bringing five outfits that all have the same exact vibe.

And then everyone’s stressed.
Let’s not.

Weather flexibility matters, because, well, Wisconsin is rude.

Outdoor senior photos mean we have to deal with weather. 

Sometimes it rains.
Sometimes it’s cloudy.
Sometimes it’s humid in a way that feels personally aggressive.
Sometimes the forecast is dramatic and then nothing happens.

Planning earlier gives us more flexibility if we need to adjust.

If you wait until the last possible moment before a yearbook deadline, we don’t have much room to work around rain, heat, wind, or whatever nonsense the Midwest decides to offer that day (let's be very serious). Planning ahead doesn’t make the weather behave. It just gives us options.

You don’t need to have all the answers before reaching out

This is probably the biggest thing I want parents to know. You don’t need to know:
  • Where you want to go.
  • What your senior should wear.
  • What products you want.
  • How many images you’ll need.
  • What your wall art situation is.
  • Which photo will be for yearbook.
  • Whether your senior will magically know how to pose.

​That’s literally what the planning process is for.

My job isn’t just to show up with a camera and hope everyone knows what to do. I help with the pieces that usually make families feel overwhelmed.

Locations. Outfits. Timing. Posing. Yearbook. Ordering. All of it. We figure it out together.

So when should you start?

Ideally, start thinking about senior photos during junior year or early summer before senior year. That gives you time to:
  • Choose from better dates.
  • Plan around sports, work, and activities.
  • Think through locations.
  • Pull outfits together without panic.
  • Leave room for weather.
  • Make sure yearbook deadlines are handled.
  • Create a session that feels like your senior instead of whatever was available last-minute.

You don’t need a perfect plan.
​You just need to start the conversation.

​Final thought

Senior year moves fast. Like, annoyingly fast.

So if senior photos are still sitting on the “we should probably figure that out” list, this is your sign to start.

Not panic.
Start.

The earlier we get the conversation going, the more room we have to make the session feel personal, relaxed, and actually useful instead of rushed and stressful.

And if you have no idea where to start, that’s fine.
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That’s literally why I’m here. :)
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    About Your 'Tog

    Liz is a self-proclaimed nerd.

    If it involves magic, elves, fae, dragons, hidden treasure, or the perfectly timed moment of comedic relief, there’s a high chance she’s ready to chat about it with you. 

    When she’s not behind the camera, Liz is usually planning her next travel adventure with friends (aka co-conspirators), playing video games, reading ALL the fantasy novels, or swimming laps at the pool.

    At home she’s supervised by her two cats, Loki and Lucio - who are fairly convinced they run the place. When they’re not sitting in every box, on freshly folded laundry, or zooming at warp speed through hallways and up and down the stairs, they’re usually demanding attention.

    ​Liz can also be found crafting something creative, brainstorming new ideas for her photography business, or connecting with other entrepreneurs and small business owners around Milwaukee.

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South Milwaukee portrait photographer specializing in senior portraits, family photography, professional headshots, and branding photography throughout Milwaukee and Southeast Wisconsin.
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Contact Liz: [email protected]
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